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My Experience in the Natural World and the Digital World

In the digital age, physical machinery and virtual feedback have long been deeply integrated, jointly shaping our…

My Experience in the Natural World and the Digital World — Signature & Outdoor exhibit for science museums
Studio rendering
CategorySignature & Outdoor
Standard sizeCustom size
SupplySingle unit or batch · OEM to your drawing
Lead timeStandard 4–8 weeks after deposit (confirmed per contract)
Warranty1 year, structure and control
DocumentsSpecification sheet · control diagram · spare-part list

A standard catalogue model: the dimensions, control package and finish are fixed, which is what keeps the price and the lead time predictable. Size, colour and interface language can be adapted without a new design cycle.

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01 / Overview

In the digital age, physical machinery and virtual feedback have long been deeply integrated, jointly shaping our understanding of the world. This interactive experiment will take you to intuitively experience the wonderful correlation of "number reality interweaving": you can turn the handwheel to drive the physical fist, drive the chicks inside the device to the opposite side and grab them. The animated trajectories of fists and palms on the screen will seamlessly match the physical movements in real-time. This' synchronous movement 'breaks the boundary between digital information and physical machinery, revealing the underlying logic of' digital and reality being integrated 'through intuitive sensory resonance. In the digital age, physical machinery and virtual feedback have long been deeply integrated, jointly shaping our understanding of the world. This interactive experiment will take you to intuitively experience the wonderful correlation of "interweaving numbers and reality": you can turn the handwheel to drive the physical palm to rotate, and the animated trajectory of the palm on the screen will be synchronized with the physical action in real time, and the little dog inside the device will also react with shock. This' synchronization '.

02 / How visitors use it

The unit is designed for unsupervised public use: controls are recessed or shielded, moving parts are enclosed, and the interface is operable by a child of about six with no instruction. Where a screen is used, the language can be switched without changing the hardware, and the content can be replaced on site.

03 / The science behind it

Henrik Ehrsson's experiment shows that the human brain cannot truly think about its own body parts, and our perception is constructed from a multitude of comprehensive information. Digital entities can also be seen as an extension of an individual's self. Humans will realize that we should not see the digital world and the non digital world as two completely separate worlds, but rather as one digital world. This world is neither entirely composed of numbers nor completely devoid of numbers, but rather a world where both numerical and non numerical elements coexist. It is wrong to divide this world into true boundaries, as numerical and non numerical elements are intertwined and influence each other. Therefore, we should understand and explore both numerical and non numerical elements as a whole.

04 / Built for a public floor

Every unit leaves the factory after a running test: mechanisms cycled, electronics burned in, edges dressed, fixings torqued and marked. Wear parts — bearings, sliders, lamps, belts, touch panels — are modular and listed on the spare-part sheet, so a venue technician can replace them without returning the exhibit. Crating is plywood with foam blocking; the loading plan and packing list travel with the shipment.

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