The tremenkan is the world's first electronic musical instrument, invented by former Soviet physicist Professor Lev…
| Category | Basic Science |
|---|---|
| Standard size | Custom size |
| Supply | Single unit or batch · OEM to your drawing |
| Lead time | Standard 4–8 weeks after deposit (confirmed per contract) |
| Warranty | 1 year, structure and control |
| Documents | Specification sheet · control diagram · spare-part list |
A standard catalogue model: the dimensions, control package and finish are fixed, which is what keeps the price and the lead time predictable. Size, colour and interface language can be adapted without a new design cycle.
The tremenkan is the world's first electronic musical instrument, invented by former Soviet physicist Professor Lev Termen in 1919. It is the only electronic instrument in the world that does not require physical contact. Using an antenna and the player's hand to form a capacitor, different audio signals within the audible range are generated through the frequency difference between two oscillators. The playing technique lies in adjusting the pitch and volume through the distance between the hands and the antenna, making it the only instrument in the world that can be played without physical contact.
The unit is designed for unsupervised public use: controls are recessed or shielded, moving parts are enclosed, and the interface is operable by a child of about six with no instruction. Where a screen is used, the language can be switched without changing the hardware, and the content can be replaced on site.
Every unit leaves the factory after a running test: mechanisms cycled, electronics burned in, edges dressed, fixings torqued and marked. Wear parts — bearings, sliders, lamps, belts, touch panels — are modular and listed on the spare-part sheet, so a venue technician can replace them without returning the exhibit. Crating is plywood with foam blocking; the loading plan and packing list travel with the shipment.
Other models from the Basic Science line, all held to the same specification and the same control package.

Rotate two polarising filters and watch colours appear and vanish.

Sand on a driven plate jumps into nodal figures as the frequency changes.

Coloured discs drain to grey as the spin speed passes the eye's limit.

Gas discharge tubes and a slit spectroscope show emission lines directly.
Attach a theme outline, a floor plan, or nothing at all — a photo of the space is enough to start. Quotations are issued against a real exhibit list, not per-square-metre guesses.
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