The publication of "A Journey to the Moon" in 1902, as the world's first color short film, was born thanks to a…
| Category | Digital & AI |
|---|---|
| Standard size | Custom size |
| Supply | Single unit or batch · OEM to your drawing |
| Lead time | Standard 4–8 weeks after deposit (confirmed per contract) |
| Warranty | 1 year, structure and control |
| Documents | Specification sheet · control diagram · spare-part list |
A standard catalogue model: the dimensions, control package and finish are fixed, which is what keeps the price and the lead time predictable. Size, colour and interface language can be adapted without a new design cycle.
The publication of "A Journey to the Moon" in 1902, as the world's first color short film, was born thanks to a studio consisting of 200 women who personally drew colorful images on film. visitors simulates the complexity of coloring techniques in early films, watches the final color segments presented in this masterpiece, and thus understands the evolution of films from black and white to color.
The unit is designed for unsupervised public use: controls are recessed or shielded, moving parts are enclosed, and the interface is operable by a child of about six with no instruction. Where a screen is used, the language can be switched without changing the hardware, and the content can be replaced on site.
With the birth of movies, the bright and colorful world in black and white lenses has become the goal that film pioneers continue to strive for. Meili Ai successfully showcased the special effects film "Journey to the Moon" on the big screen through intricate artificial coloring techniques. Afterwards, the double-sided coating method, silver float method, and dye printing method also gradually changed the production technology of color movies. In 1902, the first person to demonstrate the natural color film system was British inventor Edward Raymond Turner, who invented Kinemacolor. Turner's machine uses a rotating disc with three color filters to capture color separation on a roll of black and white film. Record red, green, or blue filtered images on each consecutive frame of film. The completed film print is projected three frames at a time through the corresponding color filter. In 1899, Edward R. Turner.
Every unit leaves the factory after a running test: mechanisms cycled, electronics burned in, edges dressed, fixings torqued and marked. Wear parts — bearings, sliders, lamps, belts, touch panels — are modular and listed on the spare-part sheet, so a venue technician can replace them without returning the exhibit. Crating is plywood with foam blocking; the loading plan and packing list travel with the shipment.
Other models from the Digital & AI line, all held to the same specification and the same control package.

Hundreds of orbiting nodes light up to show global coverage.

Mechanical fingers play a request chosen by the visitor.

A chain of blocks that cannot be edited once the next one is added.

A camera reads a scrambled cube; the arm solves it in under a minute.
Attach a theme outline, a floor plan, or nothing at all — a photo of the space is enough to start. Quotations are issued against a real exhibit list, not per-square-metre guesses.
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